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Ever find yourself having nothing to do when you play a track? In this video, I’m gonna show you 2 things that can turn your boring sets into exciting Onnes!
#BeginnerDJ #Tutorial #DJTips
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â–şSCRIPT
Now, the part of the song that we want to focus on is the build-up; which normally occurs 32 beats right before the drop. So that’ll be the only section we’ll be affecting with our High Pass Filter, Noise Filter, Effect and Volume Fader.
So the first technique utilizes the following things: the High Pass Filter Knob, a 1/2 Delay Effect, and the volume fader. And this technique works best in strengthening an already good build up.
So the first thing we’re going to do is select our delay effect and set the beat parameter to 1/2.
Next we’re going to cue point our song so that we can visually see what parts we should be affecting.
So Cue Point A, will be the section, where we should start//doing this trick, and that’s the build up segment of this song, and this is 32 beats away from the drop.
Next, lets mark Cue Point B. This section is 16 beats away from the drop. And this cue point here, will visually cue us, to start cranking this technique out even more.
Because the build segment of this song, will really start to be going off here, we’ll have to match its energy.
[1st Technique Explanation]
So with our effect armed and our track prepped, the first thing we should do when we reach the build up segment, is start cranking out the High Pass Filter knob from the 12 o clock position to the 2 o’clock position.
And at the same time, activate our delay effect, and bring the effect knob from the 7 o’clock position to the 9 o’clock position.
And we’ll do this till we reach the cue point b section of the song
Once we reach that point, it’ll be time now to only focus on the High Pass Filter Knob, and Volume Fader.
So what we’ll do, is that, as we near the drop, we’ll crank out that high pass filter knob to the 3 o’clock position, and at the same time, we’ll be dragging the volume fader up and down to get a stutter-y sound effect.
And finally once we reach the drop. We’ll bring the filter knob back to the 12 o clock position, leave our volume fader at the top, and deactivate our delay effect.
Now if you guys really wanna take this trick to the next level, you can also try cranking the high pass filter knob clockwise and counterclockwise as you near the drop.
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